"I’ve been fascinated by DHDI’s acoustic treatment products since Hanson Hsu’s presentation at AES LA, earlier this fall. Last week’s DHDI Christmas party was my first opportunity to see/hear them in action at Hanson’s living room, which apparently regularly doubles as a concert/recording space, with the addition of several of DHDI’s acoustical treatment screens framing the performers. The evening featured the “Nick Mancini 4-Tet” (vibraphone, sax/flute; double bass; drums) performing original work and being recorded live, on the spot. Maybe it was the top-notch performances, the tasty catering, the open bar, or the overall warmth permeating the event that colored my impressions; but the sound was incredible! … In a room (shape/size/materials) where live music should sound boomy, messy, even intolerable. The closer one would sit to where the “room” mics were positioned the tighter, broader, crisper the sound seemed. The scientist in me wants to doubt the borderline cult claims made about the acoustical treatments’ contribution to the resulting sonic experience. The listener in me had to approach Hanson and his staff after the first set and express my appreciation for the unexpectedly full, tight, clean sound. Maybe one of these days our schedules will align and permit us to devote the time and resources needed to perform the necessary tests, unpack the mystery, and provide valid explanations and terminology to the acoustical treatments’ behavior. In the meantime, I’ll just enjoy their sound.
"
-
Pantelis Vassilakis
|
Ph.D.